 
 	
	
	Tyra Oseng-Rees
	
	Tyra Oseng-Rees was awarded her PhD in Industrial Design in 2009. The research involved investigating into the properties of fused recycled bottle glass. The aesthetic features such as colour and texture development were key components during the investigation along with material testing such as third point bend test, stain test, photoelastic strain test, etc. A questionnaire was also conducted analysing its qualitative data regarding people's awareness and perception of recycled products.  
	
	Tyra was also commissioned by Grwp Gwalia to develop sustainable interior tiles which were installed at their sustainable development at the maritime Swansea Waterfront SA1 development. 
	
	Currently she is working to support the integration of sustainable design practice into the educational curriculum, design and manufacturing environment. Further research interests include collaboration with the architectural society and artists from any discipline developing new applications using recycled glass combined with other materials, meeting building specifications for indoor and outdoor installations. 
	
	
	
 
	

 
	 By extending the time the glass is held above 700°C in the kiln, the likelihood is that the glass will start to devitrify, also called crystallise.  If the molten glass is allowed to cool slowly, the molecules in the fluid will have time to bond in a crystalline structure and it usually appears as a whitish scum on the surface of the top edge of the glass. (Beveridge, et al., 2005)  By carefully controlling the type of container glass that goes into the glass mixture and the length of the fusion cycle, the recycled glass material can be controlled into either a transparent glassy texture to an opaque and semi-opaque texture, as seen on figure 2
	By extending the time the glass is held above 700°C in the kiln, the likelihood is that the glass will start to devitrify, also called crystallise.  If the molten glass is allowed to cool slowly, the molecules in the fluid will have time to bond in a crystalline structure and it usually appears as a whitish scum on the surface of the top edge of the glass. (Beveridge, et al., 2005)  By carefully controlling the type of container glass that goes into the glass mixture and the length of the fusion cycle, the recycled glass material can be controlled into either a transparent glassy texture to an opaque and semi-opaque texture, as seen on figure 2
	 By carefully selecting bottles glass, subtle variations of colours between different bottles become apparent. Variations that were not visible in the glassy state become a spectrum of hues and tones when going through a devitrification process. This enables the creation of sheet glass that offers great potential to designers and glass makers and provides a use for material that otherwise is destined to become landfill or used as aggregates for the building industry, as seen in figure 3.
	By carefully selecting bottles glass, subtle variations of colours between different bottles become apparent. Variations that were not visible in the glassy state become a spectrum of hues and tones when going through a devitrification process. This enables the creation of sheet glass that offers great potential to designers and glass makers and provides a use for material that otherwise is destined to become landfill or used as aggregates for the building industry, as seen in figure 3.